
Praise of Danish
structure mounted quickly in the U.S. by way of exhibitions, magazine posts, and
word-of-mouth. Taft relates how Wegner was approached by a customers-only club in
Chicago in 1949 hoping to get 400 chairs, a variety considerably over and above the capacity
of the Copenhagen workshop that produced them. Danish chairs grew to become a bragging
ideal with devotees memorizing the shapes and mentally cataloging the available
colours of upholstery. The appetite for Scandi furnishings was so voracious that
knock-offs proliferated. Genuine producers commenced affixing steel plates, stamps,
and brands to the underside of their furniture. One would not be surprised to
see their dinner guest surreptitiously peering beneath the Chieftain searching for
where by the wooden experienced been marked by a scorching iron in the Danish workshop.
The heyday of artisan
furniture, nevertheless, was brief. Trying to keep production in Denmark, or even in
Scandinavia, did not final extensive. In 1951, Juhl started creating for Baker, a
home furniture firm from Michigan the idea was to offer his designs to a greater
mass current market by scaling-up creation. Still it was by no means obvious how the level of
top quality could be managed exterior of the Scandinavian welfare state with its
distinctive compromises in between govt, marketplace, and labor. In an American mass
industry, it would be tough to make stylish joinery utilizing Fordist output
methods (and to pay back artisan wages to assembly line workers). As the scale of
creation elevated, it was a lot more tough to retain the fantasy of “Nordic
naturalness” and wooden types that represented a closeness to mother nature. In truth,
even the teak was becoming supplanted by razor-thin slices of rosewood pasted on to
home furniture facades.
Meanwhile, free
legal protections for home furniture structure intended that fakes and copies
proliferated. Perfectly-heeled holidaymakers in Copenhagen could take a look at the huge
home furniture showroom Den Permanente in close proximity to the central station to see reliable
Juhls and Wegners, but they could also saunter in excess of to Tidens Møbler, a retail outlet
that “offered copies that seemed almost as good” at a steep markdown. “And when
exported to The usa, both equally the true detail and the duplicate could legitimately be
labeled ‘Made in Denmark.’” Even much more alarmingly, American firms have been
producing pretend Danish home furniture of lesser good quality and at lessen costs. Some of
these firms continue to exist right now due to the fact of their thriving foray into
midcentury design and style.